#LimitlessAfricans - Book Out Oct 11, 2019

When I was 18 years old, during a trip to Nigeria for Christmas, I was put through a series of exorcisms to “drive the gay devil out of me”. This experience would change my life forever. I spiraled into depression and anxiety in the months that followed, and by chance, six months later I got a camera. Photography would quickly become my voice at a moment when I felt completely voiceless.

Photography gave me the power to imagine new worlds and realities where I could just - be - and to create universes and dream-scapes where marginalized people are free and complete individuals.

After college I began work on #LimitlessAfricans, and returned to the core of my experience as an LGBTQ African person that had initiated my passion for the photographic medium. Over the course of 6 years, I would photograph and interview over 50 LGBTQ African immigrants, refugees and asylum seekers in 10 countries across North America, the Caribbean and Europe - working through imagery and text to try and debunk the myth that it is “un-African” to be LGBTQ. To create worlds and images where we are accepted and free.

It has been a difficult but incredibly healing few years and now, 10 years after picking up a camera, I have my first book of photography ‘Limitless Africans’, releasing on Oct 11, 2019 - National Coming Out Day.

I am so grateful to all of you for your support navigating this artistic and incredibly personal journey for me over the last few years! Thank you, it really means the world to me and I’m excited for you all to see the book!

Limited Edition Release. Preorder #LimitlessAfricans book through the link below:


My NYC Debut - Sept 17, 2019

I am so happy to share that my series, Infinite Essence, will be exhibited at the Ford Foundation Gallery in their ”Utopian Imagination” show this fall, curated by Jaishri Abichandani. Free and open to the public, this showcase will be my New York City debut!

My work will be exhibited alongside artists including Yinka Shonibare CBE, Firelei Báez, Juliana Huxtable, Lola Flash and more. I will be in attendance at the opening, and I hope to see some of you there!

Details are below:

Exhibition Opening: September 17, 6:00 pm – 8:00 pm
On View: September 17 – December 7, 2019
Ford Foundation Gallery
320 E 43rd St, New York, NY


Responding to Zoey Grossman and Christina Aguilera’s Appropriation of #InfiniteEssence

May 16, 2019:

Looks like Christina Aguilera @xtina and her photographer @zoeygrossman took my #InfiniteEssence concept for their latest shoot. I guess this is how black labor is always treated. 2 and a half years of work, labor and conceptualisation creating something to celebrate black people in a hostile world just for a celebrity to come in and steal it without credit. 

As artists, these two should have even more appreciation for creativity and the sources it comes from - particularly when it comes from black artists. And to think they can get away with it is even more galling and says so much about the distortions of power in this world- especially when it comes to the work of black people.

May 17, 2019:

Black artists descend from a long lineage of both creative power and exploitation. A conversation concerning artistic influence and lack of attribution is just that - a conversation. To see fellow photographer, @zoeygrossman block me and every single person who engages in discussion about her shoot with @xtina is very telling.

To see some commentators reduce my work to “glitter”, shows just how dismissive they are of the art and technicality that goes into my work, reflective of my degree in Biomedical Engineering. There is a reason media like @npr wrote about my work as recently as March 2019, in an article widely shared within and beyond the photography community. The technicality, posing and framing, and the conceptual space #InfiniteEssence occupies reclaims the black body in ways deeper than the aesthetic.

As a photographer, I understand how artistic influences are complicated and boundary-less, leaping across time and culture, and that is why I asked for a conversation about the attribution and influences behind the shoot from @zoeygrossman. I am not the first black artist who has been denied public attribution for their artwork. I will not be the last. People are “influenced” by the work of black people all of the time and never mention the black artist. Is that really a legacy people want to perpetuate? Yes, this is @zoeygrossman’s choice–but is it a good one?

Lastly, I must add: seeing a concept intended for the reclamation and celebration of the BLACK body, so casually used on @xtina, hurts. A 60 year old black woman emailed me this year saying that every single day of her life she hated her body until she saw one of my images. THAT is the impact of work when it is created within and for the context of a community. And messages like these are what gets me up every morning to keep producing this art.

I am so grateful for the wave of support I have received over the last 24 hours from everyone who has commented, shared, helped and supported me in ways big and small. Thank you for all of your support. I send everyone love!

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