Mikael Owunna is a Nigerian American multi-media artist, filmmaker, and engineer. Exploring the intersections of technology, art, and African cosmologies, his work seeks to elucidate an emancipatory vision of possibility that revives traditional African knowledge systems and pushes people beyond all boundaries, restrictions, and frontiers.
Owunna’s work has been exhibited across Africa, Asia, Europe, and North America and been collected by institutions such as the Metropolitan Museum of Art; Nasher Museum of Art; Museum of Fine Arts, Houston; Middlebury College Museum of Art; Equal Justice Initiative; Duke University Pratt School of Engineering; and National Taiwan Museum. His work has also been featured in media ranging from the New York Times to CNN, NPR, VICE, and The Guardian. He has lectured at venues including Harvard Law School, World Press Photo (Netherlands), Tate Modern (UK), and TEDx. Owunna has published two monographs: Limitless Africans (FotoEvidence, 2019) and Cosmologies (ClampArt, 2021). Owunna’s multi-media practice includes film, and in 2021 he directed the dance film Obi Mbu (The Primordial House) with Marques Redd. Owunna's work has been commissioned for major public art installations by organizations including the Pittsburgh Symphony Orchestra, Cleveland Foundation, Contemporary Art Museum Raleigh, Pittsburgh International Airport, and Orange Barrel Media.
Image by Emmai Alaquiva for The Pittsburgh Foundation
For more information on Mikael's work and for any work or media inquiries, please get in touch.